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  • Handmade Guitar, Part 6: Head Block and Tail Block
  • From "Handmade Music"
    episode DHMM-102


    PHOTO

    Andy Leftwich (L) and Cody Kilby (R) of Kentucky Thunder.
    PHOTO

    Mandolin player Andy Leftwich.
    In this segment of DIY's Handmade Music, luthier Lynn Dudenbostel completes the side pieces and creates the head block and tail block for the custom-built guitar.

    Materials:

    Rosewood stock
    Template
    Band saw
    Drum sander
    Block plane
    Cabinet scraper
    Chisels, gouges
    Mallet
    Bending form and spreader
    Wood glue
    Clamps

    Safety Alert: Always wear safety goggles or safety glasses when
    working with wood, power-tools, saws, drills, routers, etc.
    advertisement


    • Though the inner surface of the guitar's sides will never be seen or felt once the guitar is assembled, Lynn scrapes and sands the rough spots created during the bending process (figures A and B). The rosewood puckers when it encounters the hot bending iron. The scraper and sanding block are used to counter that process.
      Photo

      Figure A

      Photo

      Figure B


      PHOTO

      Figure C
    • Once the excess wood has been trimmed away from the sides using the band saw, the sides are placed back into the bending form (figure C).

      The "waist" of the guitar is spread using a wooden spreader to ensure a snug fit (figures D and E).
      Photo

      Figure D

      Photo

      Figure E


    Head Block and Tail Block

    With the sides placed in the form and set aside, work can begin on the guitar's head block and tail block. Those pieces will be glued to the inside of the guitar and will span the seams created at the top and bottom of the body where the two sides contact. The blocks are made from solid mahogany, the same wood used for these pieces in vintage guitars. Although these pieces can be bought pre-made from luthier-supply shop, Lynn prefers to make his by hand.

    • To make the blocks, Lynn makes a series of cuts using the band saw.

    • Each piece is then shaped further using a belt sander (figures F and G).
      Photo

      Figure F

      Photo

      Figure G


    • Once sanding is complete, Lynn carves out a dovetail joint in the head block using a sharp chisel, some gouges and a mallet (figure H). This joint will connect the guitar's neck to the body.

    • Lynn applies wood glue to the head block (figure I), an spreads it evenly.

    • With glue applied, the head-block is positioned at the seam at the guitar's top (figure J), clamped in position and allowed to dry.

    • The tail block is glued in the same way to the bottom seam.
      Photo

      Figure H

      Photo

      Figure I


      PHOTO

      Figure J
      PHOTO

      Members of Kentucky Thunder create their own brand of handmade music.
      PHOTO
      PHOTO

      Mandolin player Andy Leftwich likens the process of songwriting to painting a picture, with each instrument being analogous to a different color.
    In the segment that follows, Lynn glues the guitar's back and sides together.


    RESOURCES :

    Kentucky Thunder
    For more information on the band that appeared in DIY's Handmade Music, Kentucky Thunder -- and to hear streaming audio and download samples of their music -- visit the website for Skaggs Family Records, www.skaggsfamilyrecords.com.

    Stewart MacDonald's Luthier Supply Shop
    Website: www.stewmac.com

    Luthier's Mercantile International, Inc.
    Website: www.lmii.com

    Pioneer Valley Luthier Supply Company
    Website: www.pioneervalleyluthier.com


    GUESTS :

    Lynn Dudenbostel, Luthier
    Dudenbostel Stringed Instruments
    Knoxville, TN

    John Arnold, Luthier
    Newport, TN

    Ted Davis, Luthier
    Loudon, TN

  • ALSO IN THIS EPISODE: